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The Truth About Ferrite Beads Will Shock You


Q: The analog synth circuit I'm building calls in the schematic for ferrite beads on the power rails, but it doesn't give any further information. What kind of beads should I use?

A: Pick some that will look nice on the board, maybe in a colour that goes with the solder mask. Your local craft supply store should have a good selection of decorative beads, like these glass ones I got in a clearance sale.

multicoloured glass beads on a circuit board

Q: But aren't those electrically useless?!?

A: Yes, but so are "proper" ferrite beads in this context.

Ferrite beads are often misunderstood, and they're included in a lot of SDIY designs by a sort of cargo cult process: people know they want some kind of filtering on power rails, they see ferrite beads used in others' designs, it is a general belief that putting ferrite beads on power rails is the accepted practice, and so they write that into new designs too, which contributes further to the community's perception that that is Just How It's Done. In this article I'm going to go into some detail on what ferrite beads actually are, and why they're useless when we see them on the power rails in most analog synth designs.

Of course ferrite beads are not always useless. They exist as a manufactured product for a reason. I'll discuss below some of the cases where they do serve a useful purpose after all. But in cases where a bead is necessary or appropriate, it will matter what kind of bead to use (because there are different kinds and that makes a difference), and the careful designer who specifies a bead for a good reason, will always give you some details on what kind of bead is needed. Without those details you might as well just use the decorative glass beads from the craft store; and if the details are missing from the design, it's a clue that maybe the designer didn't really understand what they were trying to accomplish when they put that symbol on the schematic.

What ferrite is

The word "ferrite" has several different meanings in different fields. In metallurgy, it refers to a specific crystalline form of iron metal. But in electronics, it means a ceramic material made of iron oxide combined with certain other metal oxides, commonly used for inductive components. The coils in my Coiler VCF module are wound around ferrite cores.

If you want to build an electronic component with a high inductance, you face a tradeoff. To maximize the energy stored in the magentic field, you need to pass that magnetic field as much as possible through a material with a high ability to accept magnetic field density (a property called permeability). Usually, that means winding a coil around or through a core made of this kind of material. The simplest high-permeability materials are iron and its alloys, which are mostly classified as different kinds of "steel."

But iron, like metals in general, conducts electrical current. If you wind a coil on a solid iron or steel core, then a changing current in the coil will induce an eddy current in the core material itself. The core becomes something like a transformer secondary winding, plugged into a short circuit, and that causes power loss and other problems. The eddy currents create magnetic fields of their own, opposing the original field from the main winding, and the opposing fields tend to push the original magnetic field out of the core, harming the intended operation of the component.

So a low-frequency power transformer will often be designed with a steel core that is a stack of flat plates insulated from each other, instead of a single solid piece. The laminated core splits the eddy currents into many small loops instead of a single large loop covering the whole cross section, and many small loops create much less power loss than a single large loop. At somewhat higher frequencies, transformer designers sometimes use powdered iron combined with an insulator that separates the particles. The eddy current loops are limited to the size of the particles instead of the size of the core.

illustration of eddy current loops

But another approach to avoiding eddy current issues is to use a material with fairly high magnetic permeability (even if not quite as high as a metallic alloy), but high resistance to electricity. That is the purpose of ferrite: it is a substance that accepts a lot of magnetism, but basically an insulator to electrical current. Ferrite is magnetic iron oxide with some alloying elements. The mineral magnetite can be thought of as a primitive ferrite, though artificial substances made for the purpose are much more effective.

Ferrite achieves high permeability with low conductivity by containing iron nuclei in a crystal structure that allows them to be magnetic but does not have the conduction band of electron states that is present in metallic forms. Without the conduction band there's no easy way for a current to pass through the crystal. A somewhat oversimplified intuition is that the oxygen atoms in the crystal are acting as insulators between the iron atoms.

Ferrites can be divided into "hard ferrites" and "soft ferrites," formulated with different alloying elements. These words do not refer to mechanical hardness but to the oxides' magnetic properties, by analogy to "hard" and "soft" magnetic iron. In the case of metallic iron, the words hard and soft do correlate with mechanical hardness even though it's not the main point. Hard ferrites can be made into permanent magnets and are typically used for stuff like sticking papers to refrigerators, where it's not necessary to use the more powerful and expensive rare-earth magnets. Soft ferrites are the ones we usually care about in electronics: they do not accept permanent magnetization, but have the necessary high permeability to create high-inductance magnetic components. Ferrite beads for interference suppression are made out of soft ferrite; the tiny ferrite cores in old-fashioned computer core memory were made of hard ferrite.

The two faces of soft ferrite

The Fair-Rite Products Corporation has a downloadable catalogue containing a lot of useful technical information about ferrite materials and the components made from them. This diagram from page 12 representing the complex permeability of "61 Material" as it varies with frequency, illustrates the two basic operating modes of soft ferrite material.

complex permeability of 61 Material

At relatively low frequencies, the high permeability of the ferrite allows it to soak up a large magnetic field, giving inductive electrical behaviour. The electrical resistance of the ferrite is also high, so little or no current flows through the ferrite core itself, and there is little power loss. But as the frequency increases, the inductive reactance increases too because that is the nature of inductive reactance, while the resistance of the core remains basically unchanged. At sufficiently high frequencies, the resistance of the core is going to become small relative to the prevailing impedance of eddy currents, and at that point the current flowing through the resistive core becomes important. The component stops behaving as a pure inductor and becomes quite lossy. So there are two kinds of behaviour, depending on frequency: at lower frequencies it's a high-value, low-loss inductor, and at higher frequencies it's lossy, dissipating most of the input power.

Both kinds of behaviour are useful. If we're building a broadband transformer, or a simple inductor for something like a communications radio, then we want high inductance at a few megahertz, and low loss. We get that in the portion of the chart where µ's (indirectly associated with inductance) is dominant. If we're building a component that is meant to filter out noise in the VHF to UHF range (hundreds of MHz), then we want it to dissipate the power from the noise, and that happens at higher frequencies when the other curve, labelled µ''s, starts to increase seriously.

The Fair-Rite catalogue describes 61 Material in particular as appropriate for inductive applications below 25MHz and noise suppression above 200MHz, and that's what we can see in the chart. Most of their other ferrite materials are only really intended to be used in one of these modes or the other, but a similar two-phase pattern of behaviour (not always so cleanly divided) is visible in the similar charts for all the different materials in the catalogue.

Ferrite beads

A current through a straight piece of wire creates a magnetic field in a ring surrounding the wire. When we build an inductor we normally form the wire into a coil, allowing the field from each turn to reinforce that of all the other turns; the inductance scales with the square of the number of turns. To boost the inductance further, we might put a ferrite core in the middle where the field can pass through it; the ferrite material is able to support much more magnetic flux than empty space. But the very simplest way to use a ferrite core might be to just have a plain wire and put ferrite where the magnetic field naturally occurs: that is, slip a ferrite bead over the wire. And one advantage to doing that is that we can do it even in places it would be inconvenient to put an entire, more complicated, inductor assembly. We can wrap a ferrite bead around an entire multi-conductor cable, like this USB cable with a built-in plastic-encapsulated ferrite interference filter.

USB cable with a ferrite filter

The signal conductors in that cable are twisted pair transmission lines and they are to some extent self-shielding: the differential signals carried on them do not create an external magnetic field that will interact significantly with the ferrite. But if there should be a common-mode signal propagating on the cable as a whole, for instance if this cable is used in the vicinity of a strong radio transmitter, then that signal will create a field in the ferrite and if the frequency is high enough, the ferrite will dissipate its power. A similar effect occurs in both the transmitting and receiving direction: this cable will both pick up, and generate, less radio interference than would a cable without a ferrite bead.

Ferrite beads are used on individual conductors when there's a concern that there may be RF floating around and none of that is wanted on the particular conductor in question. For example, if you're building a single-board computer you might have a CPU with a clock frequency in the hundreds of megahertz. It's quite likely that some of that frequency will be coupled into the power rails, and other parts of the system may be sensitive to it. The decoupling capacitors ought to eat most of the clock exposure to the power supply, but designers may put beads on the power lines leading into the CPU to absorb any of the radio-frequency clock that may still be present, and also on lower-frequency signal lines elsewhere to prevent it from leaking in.

To be perfectly honest (and as implied by some of the discussion in the Fair-Rite catalogue), a big part of the reason for using ferrite beads is just to satisfy government regulators. The certification labs will point antennas at your product. If the product radiates too much radio-frequency energy, you fail; and if they tickle it with a radio transmitter and the product stops working, you fail again. So commercial designers will add ferrite beads, designed to operate in their lossy region, until it seems clear that there won't be significant radio frequency energy coming into or out of the product.

Here's another chart from the Fair-Rite catalogue, page 146; the article "How to Choose Ferrite Cores for EMI Suppression" starting on that page is a useful resource. The plot shows the impedance of a typical ferrite bead, with the magnitudes of the resistive (R), inductive (XL), and total (Z) components. Note that the total is not the simple arithmetic sum because the other two are at right angles to each other.

impedance of a real ferrite bead

As predicted by the theory of ferrite behaviour above, the impedance starts near zero (inductors are like plain wires at low frequencies), then grows with frequency while being mostly inductive. Around 20MHz (in this case) the inductive reactance starts to fall away, but resistance becomes a bigger issue, and the beaded wire behaves more like a resistor, up to a peak in the hundreds of megahertz. The following equivalent circuit produces similar behaviour and may make clear what's going on.

approximate equivalent circuit for a ferrite bead

Here are similar impedance curves for the equivalent circuit. They are not identical to the chart from the catalogue; in particular, the peak of inductive reactance for the real-life bead is not as high in relation to resistance as it is with the equivalent circuit because of the frequency dependence of the resistance, which is not modelled here. Simulating that effect would require a more complicated equivalent circuit and would not really make things any clearer. I just chose values for the equivalent components to be reasonably plausible and give similarly-shaped curves to the real bead.

impedance of the equivalent circuit

Dirty power in analog SDIY

Synthesizers generate audible signals, and when people complain about noise in synth circuits, they are complaining about audible noise. That means noise in the range 20Hz to 20kHz. How many forum threads have you read in which people griped about "bleed" in VCAs - because they could hear the input signal coming through to the output even when the VCA was supposed to be turned off - only to eventually discover that the signal was actually passing through the power distribution system? That and the audible hiss often blamed on the presence of digital modules are both caused by audio-frequency signals carried on the power rails.

So people put a lot of effort into reducing the transmission of audio frequencies through the power system of a modular synthesizer. (Similar considerations apply also to non-modular synthesizers, which still have internal divisions into different sections.) One thing to do is to use a power supply with a good voltage regulator, capable of keeping its output at a fixed voltage. Voltage regulators in this mode are essentially working as audio amplifiers for the signal frequencies involved, generating audio-frequency power of their own to counteract whatever is being imposed on the power line by other parts of the system. But the voltage regulator is only capable of regulating the voltage at one point, its output terminal or at best the location of its remote-sensing tap.

Given a single point in the circuit considered to be constant-voltage with minimal audio-frequency interference, the next step is to keep the impedance as low as possible on any power lines from there to the modules that happen to be shared among more than one module. If one module is putting an audio-frequency signal onto the bus at one point, and another module is connected to the bus in such a way as to share some of the wire between there and the point of purest power, then the audio signal dropped across that shared wire will result in a voltage fluctuation seen by the second module, no matter how pure the power was at the source.

Impedances in shared connections lead to cross-talk between modules, both of intelligible signals (perceived as "bleed") and generic hissing sounds (perceived as "noise"). High-end bus-bar power systems for modular synths aim to reduce those shared impedances to be as small as possible, both by using large conductors with low resistance, and by routing the conductors all to a common power point to reduce the shared wiring. On the other end of the scale, the "flying bus" cables sometimes recommended for starter systems place a lot of thin, shared wires, with relatively high impedance, between modules and the power supply. Those systems are more likely to have module-to-module interference problems.

The third thing people do to try to reduce the dirty-power problem is build filters between the modules and the power system. Whereas low impedance on shared power connections is desirable, for the power feed to an individual module that is not shared with others you want the impedance at audio frequencies to be as high as possible, the better to block audio-frequency power from other modules coming in or from this module going out. The filter still needs to pass the DC power actually required by the module.

That is where ferrite beads come in. Designers know that ferrite beads can pass DC well - after all, there is a wire right through the bead, and at DC the magnetic effects make no electrical difference - and the beads become resistive at higher frequencies. That's what we need from a power filter, right? So they specify ferrite beads on the power rails.

Maybe you have noticed the problem already.

Why the beads are useless

Ferrite beads are designed to block conducted interference at radio frequencies. Radio frequencies are not what the typical analog SDIY circuit needs to be protected from! The "noise" and "bleed" problems for which people want to deploy beads, are happening at audio frequencies, where the beads do nothing.

My frequency-impedance plots above start at 1MHz, which is 50 times the highest audible frequency. Audio frequencies are far off to the left of the diagram, where the impedance is essentially zero. The Fair-Rite Products Corporation doesn't bother to specify any of its EMI-suppression beads at frequencies below 1MHz, and most are designed to run at higher frequences, into the tens or hundreds of MHz. Ferrite bead products from other manufacturers have similar specifications.

By all means there are ferrite products designed to run at lower frequences - many of them are in the Fair-Rite catalogue - but those are operating in the inductive range of ferrite behaviour, they use far more turns to produce a meaningful inductance instead of just running a single wire once through a bead, and even then they are usually meant for higher frequencies than audio. The EPCOS ferrite-core inductors in my Coiler VCF are being pushed to the lower limit of their frequency range. Inductors and inductive components like transformers designed for audio often use laminated steel cores instead. There just aren't any ferrite materials that run in the lossy mode at audio frequencies.

Looking at the equivalent circuit again, consider the three components. The idealized 220Ω resistance will be 220Ω regardless of frequency. In the audio range, we get the inductive reactance of the inductive equivalent component by multiplying kilohertz by one microhenry, giving milliohms. The capacitive reactance is given by kilohertz times picofarads, giving nanosiemens, which invert to gigaohms. The low inductive reactance shorts out the resistance and capacitive reactance and the overall behaviour is basically the same as just putting a plain wire on the board, or running the wire through one of my decorative glass beads. At audio, the ferrite bead has no effect.

So could it ever make sense to use a ferrite bead in a synthesizer? Yes, but only in limited circumstances, only with thought and testing, and only if we're also going to do other things that SDIY designers often skip.

I have carefully said "analog SDIY" in most of this article. There are certainly synthesizer circuits that aren't analog. If you have a microcontroller in your design, it may have a clock in the tens of MHz range, and you might be worried about signals of that frequency getting from the module to the power bus, or coming in through the power bus. I would normally expect bypass capacitors to be the first line of defence there, but it's possible that on careful analysis one could find that a ferrite bead makes sense. Many ferrite beads work well in the tens of MHz range. Of course then it would be necessary to specify which bead, and especially which ferrite material, to suit the range of frequencies that are of concern.

But it's important to distinguish that kind of thing - interference to and from digital circuits at the radio frequencies they use internally - from the audio-frequency "digital noise" synth users love to complain about. Audio-frequency stuff, regardless of whether it is called "digital," goes right through ferrite beads as if they were just plain wires.

There is some possibility that a ferrite bead might be used to calm down parasitic oscillation on a high-performance op amp, especially if it's an amplifier really built for higher-than-audio frequencies being pressed into audio service. It's usually more popular to use a capacitor in parallel with the feedback loop, but an inductance in series - provided by a ferrite bead on the amplifier output - could have a similar effect. I think the capacitor would usually be easier to design.

The other way ferrite beads could become relevant to synthesizers is when it comes to radiated noise, again both transmitted and received. An analog synth circuit is very unlikely to generate any signals above about a hundred kilohertz, which is still too low for a ferrite bead to block them. But a digital circuit that puts its clock frequency onto the power bus may turn the bus into an antenna, radiating a signal that will cause the system to fail regulatory tests even if there is no audible effect on other modules.

And if a modular synth is being used in an environment of high radiation from other things (maybe on a stage where there are a lot of wireless mics in use, or in some scenarios involving ham radio transmission), it's possible to imagine that the power system might pick up enough radio waves that they could screw up a module that was sensitive to radio frequencies. In the extreme case, components in an analog synth circuit could demodulate the radio signals back into audio, resulting in wireless "bleed," though that would probably require radiation levels so high as to overwhelm ferrite-bead filters anyway.

Ferrite beads might become relevant in a synthesizer in those kinds of cases, when there is a specific radiation-related interference problem. But it's pretty much for nothing if you aren't also using a shielded enclosure. The average wooden or plastic Eurorack enclosure is transparent to radio waves. Block them where the power cable attaches to the module, and they will just be picked up again on the other side of the filter. You need an all-metal or at least foil-lined case before there will be much point thinking about ferrite beads for radiated interference concerns, and you need to be careful about proper handling of the shield connections on patch cables. Just forget it in an unshielded banana-jack synth format.

So I've gone through what ferrite is, how it behaves in electronic components, and the use and misuse of ferrite beads. Although there are cases where ferrite beads could be useful in a synth design, by far the most common ferrite bead application that synth DIY hobbyists ask about is the idea of putting them on the DC power inputs to an analog module as a prophylactic against "noise." There's often confusion about which specific model of beads to use in that power filtering application, and the fact is, if you're concerned about audio frequencies then you might as well just use decorative glass beads for all the good they'll do.

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Enjoying your technical papers. Might want to add some writing on the real effect of low ohm resistors as these are often recommended as alternatives to ferrite beads. Another cargo cult practice related to what you've written here, and equally in need of technical reality sharing.
ASynthUser - 2020-02-03
truly great stuff here. very informative. thank you!
Wreck Tech - 2020-05-12
thank you for sharing your knowledge and taking your time .
frequenzteiler - 2020-06-03
I just needed a primer on ferrite beads. This was excellent. Very informative. Thanks!
Engine Ear - 2020-09-20
Great read. I’ll go ahead and leave ‘em out from the CGS builds.
Beep et cetera - 2020-10-09
This is an excellent article, thanks!
Ethan Winer - 2021-03-06
Many times I've been recommended to place ferrite beads on legs of output transistors in troublesome amplifier sections.

I've abstained so far, but do you recommend pink or blue decorative beads for that application?
Jonesy does audio - 2021-05-31
I guess that depends on whether they are NPN or PNP transistors. But if you're building an amplifier with high gain and wide bandwidth, and there isn't enough negative feedback to keep it under control that way, then the less stylish ferrite beads may still be relevant for preventing parasitic oscillations. It's specifically on the power inputs of synthesizer modules where I'm suggesting glass.
Matthew Skala - 2021-05-31
Hi Matthew, Just wanted to say thanks for writing such great articles. DIY audio electronics is mired in dubious apodicticity, so I appreciate that you take your time to explicate among the murk. RF is such an interesting field (lol, so to speak), I looked it up in my copy of the Art of Electronics, and found scant reference, it's as if wires and traces are non plus ultra. Anywho, thanks!
Gordon - 2021-11-09
what would happen whrn tewo cores in same wire
KOLt - 2021-12-10
You are overlooking a phenomena that occurs frequently, the fact that modulated RF signals are often sources of interference. The RF signal is demodulated by the victim device (bipolar amplifier input stages make excellent demodulators), and assuming the RF signal is modulated at audio frequency you get a nice buzzing sound. You might want those ferrite beads after all!
Randall - 2022-02-02
Not in the context I'm talking about, of beads on the power lines of a synthesizer module. The RF is going to either be picked up on the other side of the bead - so the bead won't block it - or shielded out entirely in the rare case of a fully shielded synth case. In neither situation does the bead help much. Beads on the power lines to a synth module only really help with RF conducted in through the power lines, which is not the threat for which people apply them.
Matthew Skala - 2022-02-03
I came across your article as a result of a goggle search about ferrite beads.

I record hundreds of CDs per year using an optical disc drive into a 1TB Mac laptop. I discovered that using a ferrite bead I had available on the digital data cord between the disc drive & computer greatly increases the sound quality of the recorded music. It removes a layer of 'sludge' from the recorded music I didn't know was there.

But..When I backed up my music by recording it onto an external SSD outside the computer, with the same ferrite bead in the middle of the wire between computer and the external SSD, recording time is increased from about 35 minutes to 3 hours & 47 minutes! Since I am not an electronics expert I didn't know what the problem was; perhaps the SSD or the SATA interface cable/electronics was broke. But when I removed the bead, recording time went back down to 35 minutes. I'm not sure why this happens but the bead is obviously acting as a type of resistor on the digital data cord, throttling the data flow speed. I hope I didn't damage the gear!

Btw, after discovering the ferrite bead I had on hand improves sound quality of ripped CDs, I then purchased other ferrite beads from eB to experiment since they are cheap. They were also smaller in size than my original bead mentioned above. Although these other beads also changed the sound of the recorded CDs I didn't like the results, probably they had different levels of resistance, inductance or whatever. I therefore am sticking with my original ferrite bead and will read more articles online to learn.
Steven - 2023-11-10
It's quite surprising for a ferrite bead to improve the quality of audio through a digital connection. It might block or reduce the signal, causing the machines at either end to have to re-try sending things repeatedly; that could explain the speed difference on a SATA connection. But bead shouldn't be able to change 1s to 0s or vice versa. The data once it gets through should be the same.

I wonder if what's happening there is that you have some kind of interference - fundamentally analog interference - being conducted through the cable and affecting your recording gear. That's often an issue with USB, especially if the gear on the other end is also being powered through the USB cable. If the computer provides dirty power through its USB ports, which is often the case, then just plugging a cable between it and a USB device can cause the other device to lose some quality in its analog parts, which would then be reflected in the signal it records. And a ferrite bead on the USB cable, even if it might interfere with transmission of the digitized signal, could clean up the power and cause that digitized signal to reflect a better analog original.

That would be my guess on the explanation. I think there are "USB power filters" you can get that might help sound quality in the same way as the bead while being more controlled. You might also try connecting through a high-quality powered USB hub, although I've had bad experiences with USB hubs and analog-to-digital interfaces in particular. Of course that's all USB-specific, but in principle a similar issue could occur with some other kind of digital connection.
Matthew Skala - 2023-11-10
Well since my purposes are for mitigating radio interference from a power supply sounds like ferrite beads will be quite useful...
Alec - 2023-12-15
Anti-spam, fill in the blank: North Synthesis

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